Two experts exchange their views on the central themes of Brücke art and connect them to current questions about art, art history and activism. With Kervin Saint Pere Huarcaya (artist and researcher) and Karen Michelsen Castañón (visual artist and art educator)

One hundred twenty  Berliners have each selected a work of art from the Brücke-Museum’s collection. In a Perfect Match, some of the co-curators talk to museum staff about their connection to the Brücke. Assistant curator Valentina Bay invites journalist Sonja Eismann into a conversation to share her impressions.

Roundtable discussion (EN) with Rafael Cardoso (art historian and descendant of Hugo Simon), Rebecca Friedman (Holocaust Claims Processing Office, New York State Department) and Jason Osborn (film maker and descendant of Max Osborn), moderated by Meike Hoffmann (provenance researcher, Freie Universität, Berlin). Welcome by Lisa Marei Schmidt (Director, Brücke-Museum).

With Sophie von Hellermann (artist) in conversation with Ruth Ur (co-curator)
3 pm guided tour with Ruth Ur

The Brücke-Museum is the first Berlin museum to be named Museum of the Year 2023 by the art critics’ association AICA Germany. This is the most important award for museums in Germany.

With Jennifer Chert (gallerist) and Tanja Wagner (gallerist), moderated by Sonja Eismann (editor, Missy Magazine)

With Gisela Notz (social scientist and historian), moderated by Sonja Eismann (editor, Missy Magazine)

With Isabel Fischer (Curator of the Collection Brücke-Museum)

With Ciani-Sophia Hoeder (author of Wut & Böse, journalist, founder of RosaMag), moderated by Tari Weber (journalist and moderator)

Lecture by Marian Stein-Steinfeld (art historian, co-curator). Followed by a discussion between Marian Stein-Steinfeld and Magdalena Syen (assistant curator).

The Ukrainian artist duo Lia Dostlieva and Andrii Dostliev invite you to a workshop and pop-up exhibition on decolonial discourses with a focus on the power relationship between Russia and Ukraine.

The Nazi art policy’s caesura continues to have an impact on art historiography to this day. Ostracism, retraining, confiscation, and occupational bans, all the way to expulsion and deportation, erased the careers of large sections of the contemporary artistic community. The extent of the measures was often more severe for the female representatives of the avant-garde than for their male colleagues, who were often able to seamlessly continue their successes after the end of the Second World War. In order to successively reappraise the history of these unjustly forgotten female artists, a course was held in the winter semester of 2022/23 at the Art History Institute of Freie Universität Berlin in cooperation with the Brücke Museum, the research results of which are presented here in part.