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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:36323337-6466-4866-b539-356632613265 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20270328T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20241027T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20251026T030000 RDATE:20261025T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20250330T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20260329T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_3912@www.bruecke-museum.de DTSTAMP:20260613T151602Z CLASS:PUBLIC DESCRIPTION:Two experts exchange their views on the central themes of Brück e art and connect them to current questions about art\, art history and ac tivism. With Kervin Saint Pere Huarcaya (artist and researcher) and Karen Michelsen Castañón (visual artist and art educator)\n\nNature plays a sign ificant role in the works of the Brücke artists\, reflecting an idealised and European perception of nature. In this tour\, we explore key questions : What is nature? What ideas shape this concept? At the beginning of the 2 0th century\, during the period of colonialism\, the ideology of “primitiv ism” became increasingly prevalent. This perspective framed nature and cul ture as opposites and idealised the “natural” as something original. The B rücke artists were also shaped by this view. Their works often depict an e xotically tinted and romanticised version of nature that does not reflect reality. To what extent does this view still influence our understanding o f nature today? And what do we actually mean when we speak of nature today ?\n\nKervin Saint Pere Huarcaya is a Peruvian artist and researcher of Ind igenous heritage. He currently lives in Berlin and works as an art and res earch associate at the Hochschule für Grafik und Buchkunst Leipzig. His ar tistic practice and research focus on decolonial theories and visual pract ices\, with a particular interest in archival materials\, ethnological mus eum spaces and colonial traces in urban spaces. Building on Aby Warburg’s visual studies\, he reinterprets Warburg’s concept of an “afterlife” throu gh a decolonial perspective.\n\nKaren Michelsen Castañón (born in Lima\, P eru) is a visual artist\, filmmaker and freelance researcher. Her work dea ls with the way (colonial) histories are told and includes short films\, p hotographs and textiles. She questions how hegemonic and invisible stories are re-staged in our daily lives and how this relates to current social e vents. DTSTART;TZID=Europe/Berlin:20250511T150000 DTEND;TZID=Europe/Berlin:20250511T160000 SEQUENCE:1 SUMMARY:Brücke Museum: In Dialogue - Nature TRANSP:OPAQUE END:VEVENT END:VCALENDAR