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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:64666164-3530-4937-b462-383166653132 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20251026T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20231029T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20241027T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20230326T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20240331T020000 RDATE:20250330T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_2584@www.bruecke-museum.de DTSTAMP:20260713T092704Z CLASS:PUBLIC DESCRIPTION:The Nazi art policy's caesura continues to have an impact on ar t historiography to this day. Ostracism\, retraining\, confiscation\, and occupational bans\, all the way to expulsion and deportation\, erased the careers of large sections of the contemporary artistic community. The exte nt of the measures was often more severe for the female representatives of the avant-garde than for their male colleagues\, who were often able to s eamlessly continue their successes after the end of the Second World War. In order to successively reappraise the history of these unjustly forgotte n female artists\, a course was held in the winter semester of 2022/23 at the Art History Institute of Freie Universität Berlin in cooperation with the Brücke Museum\, the research results of which are presented here in pa rt.\n\nWith Ida Berenstein\, Sophie Nastatsia Holl\, Sarah Macedo Santiago (students of the Institute of Art History\, FU Berlin)\, Moderation &\ ; Introduction: Meike Hoffmann (Head of the Research Center 'Entartete Kun st'\, FU Berlin)\, Lisa Marei Schmidt (Director\, Brücke-Museum)\n\n \n\nI nputs: \n\nIda Berenstein on Paula Grünfeld: Example of an artist who was ostracized\, persecuted and deported because of her painting style and ori gins / The painter\, who was born in Breslau and trained at the local acad emy under Otto Mueller and Oskar Moll\, was deported to Ausschwitz in 1943 and declared dead in 1945.\n\nSophie Anastasia Holl about Irma Laskowsky: Example of the difficulty of research and the almost complete disappearan ce of any traces of an artist's work / Hardly any data could be found on t he artist Irma Laskowsky\, who was probably active in Königsberg\, partly because the exact spelling of her name is not known.\n\nSarah Macedo Santi ago on the artist Luise Mangold: Example of an artist who adapted herself / Luise Mangold worked in the tradition of expressionist woodcutters befor e 1933\, but then aligned herself with the regime\, was also a member of t he NSDAP\, and received several honors and awards during the regime in Ulm \, the place where she worked.\n\nIntroduction and moderation\n\nDr. Meike Hoffmann (Head of the Research Center 'Degenerate Art'\, Institute of Art History\, Freie Universität Berlin) in dialogue with Lisa Marei Schmidt ( Director Brücke Museum)\n\nSupported by Berliner Landeszentrale für politi sche Bildung. DTSTART;TZID=Europe/Berlin:20231116T160000 DTEND;TZID=Europe/Berlin:20231116T180000 SEQUENCE:1 SUMMARY:Brücke Museum: Talk: ostracized\, persecuted\, forgotten: the fates of female avant-garde artists during the Nazi regime (GER) TRANSP:OPAQUE END:VEVENT END:VCALENDAR