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METHOD:PUBLISH
UID:66346137-3233-4331-b839-363130643866
X-WR-CALNAME:Brücke Museum
X-WR-CALDESC:
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X-WR-TIMEZONE:Europe/Berlin
BEGIN:VTIMEZONE
TZID:Europe/Berlin
TZUNTIL:20261025T010000Z
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TZNAME:CET
DTSTART:20241027T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
RDATE:20251026T030000
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DTSTART:20240331T020000
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RDATE:20250330T020000
RDATE:20260329T020000
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BEGIN:VEVENT
UID:event_3626@www.bruecke-museum.de
DTSTAMP:20260308T000231Z
CLASS:PUBLIC
DESCRIPTION:Roundtable discussion (EN) with Rafael Cardoso (art historian a
 nd descendant of Hugo Simon)\, Rebecca Friedman (Holocaust Claims Processi
 ng Office\, New York State Department) and Jason Osborn (film maker and de
 scendant of Max Osborn)\, moderated by Meike Hoffmann (provenance research
 er\, Freie Universität\, Berlin). Welcome by Lisa Marei Schmidt (Director\
 , Brücke-Museum).\n\nThe exhibition Biographies of Modern Art. Collectors 
 and their Works honors eight Jewish Brücke collectors for their commitment
  to modern art and recalls the injustice done to them by the National Soci
 alists. Starting point for the presentation is the museum's provenance res
 earch\, which investigates the origin stories of artworks.\n\nDuring the p
 reparations for the exhibition\, it was important to the Brücke-Museum to 
 include the perspectives of the descendants and heirs\, which can be exper
 ienced now in a film room. A roundtable discussion on the last day of the 
 exhibition will once again focus on the perspectives of the heirs and desc
 endants of the featured collectors. Rafael Cardoso\, Rebecca Friedman and 
 Jason Osborn –  three important protagonists in the context of the exhibit
 ion and the associated provenance research –   share their impressions and
  personal experiences of the exhibition project at Brücke-Museum. Together
 \, we will take a look at the collaboration during the preparations for th
 e exhibition and into the future. The discussion will be moderated by prov
 enance researcher Meike Hoffmann\, Freie Universität Berlin.\n\nRafael Car
 doso is an art historian and writer. He is a member of the postgraduate fa
 culty in art history (PPGHA) at Universidade do Estado do Rio de Janeiro a
 nd a research associate at the Lateinamerika-Institut\, Freie Universität 
 Berlin. He is the author of numerous books\, essays and articles on the hi
 story of art and design in Brazil in the 19th and 20th centuries\, includi
 ng Modernity in Black and White: Art and Image\, Race and Identity in Braz
 il\, 1890-1945 (Cambridge University Press\, 2021). He has also authored f
 our works of fiction\, including the historical novel O Remanescente (Comp
 anhia das Letras\, 2016)\, translated into German as Das Vermächtnis der S
 eidenraupen (S. Fischer\, 2016). He is a member of PEN-Berlin\, AICA-Deuts
 chland\, Deutscher Verband für Kunstgeschichte and chairs the board of the
  Hugo Simon Stiftung. He currently holds the 2024 Aby-Warburg-Gastprofessu
 r at Warburg Haus in Hamburg.\n\nRebecca Friedman is Senior Art Claims Spe
 cialist at the Holocaust Claims Processing Office (HCPO) of the New York S
 tate Department of Financial Services\, where she has worked on art restit
 ution claims since 2004.  She received a BA in Art History from Columbia\,
  an MA in Art History from the Courtauld Institute of Art\, London and lat
 er graduated with a JD from Brooklyn Law School.  Prior to joining the HCP
 O in 2004\, Ms. Friedman worked in the art world for several years.\n\nJas
 on Osborn is a filmmaker. He has worked with well-known artists such as Da
 gmar Krause and David Bowie and has been musical director on productions s
 uch as The Threepenny Opera and The Seven Deadly Sins. As a composer\, he 
 has written music for film and theater\, including Couples and Robbers and
  the BBC production Absolute Hell. He has worked with renowned actors such
  as Dame Judi Dench and Bill Nighy and has composed for numerous TV docume
 ntaries. Since 2009\, he has been increasingly dedicated to promoting Geor
 gian cinema\, including through the London Georgian Film Festival.\n\nDr. 
 Meike Hoffmann is a provenance researcher and lecturer in the field of Exp
 ressionism\, Nazi art politics\, and memory culture at Free Universität Be
 rlin. She is the head of the following provenance research projects: Resea
 rch Center “Entartete Kunst\,“ Mosse Art Research Initiative (MARI) and Ab
 raham Adelsberger Art Research Project (AAARP).
DTSTART;TZID=Europe/Berlin:20241124T170000
DTEND;TZID=Europe/Berlin:20241124T180000
SEQUENCE:1
SUMMARY:Brücke Museum: Reflecting on Legacy\nA roundtable with the descenda
 nts (in English)
TRANSP:OPAQUE
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