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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:62633733-3131-4238-b433-366134356365 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20270328T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20241027T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20251026T030000 RDATE:20261025T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20250330T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20260329T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_3916@www.bruecke-museum.de DTSTAMP:20260521T050357Z CLASS:PUBLIC DESCRIPTION:Two experts exchange their views on the central themes of Brück e art and connect them to current questions about art\, art history and ac tivism. With Ximena Ferrer Pizarro (artist) and Tanja-Bianca Schmidt (art and visual historian and curator)\n\nXimena Ferrer Pizarro and Tanja-Bianc a Schmidt invite you to a discussion about painting - then and now. Themes \, motifs and techniques will be examined together and scrutinised from a contemporary perspective that is critical of power. At the beginning of th e 20th century\, the Brücke artists developed new motifs\, perspectives an d painting styles that were provocative and innovative at the time but als o characterised stereotypical depictions. Together with the audience\, the experts discuss: How can we talk about painting today\, and what strategi es are there to change these canonical narratives?\n\nXimena Ferrer Pizarr o studied painting at the Weißensee Kunsthochschule Berlin\, where she gra duated with honours\, and at the Universidad Nacional Autónoma de México. Her works have been exhibited in Germany\, Spain and France\, including at the KINDL - Centre for Contemporary Art\, the Jorge López Galería in Vale ncia\, the Galerie im Tempelhof Museum and most recently at the Kunsthalle Mannheim. In 2021\, she received a STIBET scholarship from the DAAD to su pport her thesis\, Telenovelas micropolíticas: The Political Role of Telen ovelas in Society. In 2023\, she participated in the Goldrausch Künstlerin nen Projekt\, a professionalisation programme for female artists. In 2024\ , she was a scholarship holder of the Elsa Neumann Foundation with her pro ject All the times I wanted to be white. She was also awarded the Rainer W ild Foundation’s art promotion prize. Her works are in collections at two Berlin museums: the Berlinische Galerie and the Stadtmuseum Berlin.\n\nTan ja-Bianca Schmidt studied art history in a global context. Her focus is on power critique\, black identity and postcolonial theory. As a political m ediator\, she advises various museums in Germany on diversification and de colonisation strategies. She regularly organises workshops on discriminati on-sensitive approaches in art history. She is currently doing her PhD in the DFG-funded project 'Image Protests on Social Media' at the TU Dresden. DTSTART;TZID=Europe/Berlin:20250525T150000 DTEND;TZID=Europe/Berlin:20250525T160000 SEQUENCE:1 SUMMARY:Brücke Museum: In Dialogue - Unlearning Painting TRANSP:OPAQUE END:VEVENT END:VCALENDAR