Works

Open until 5.00pm

← Back

Trigger Warning

Racism
Depiction of violence

Click to reveal

←

→

1 of 1

Download Usage Rights

← Back to Results

Künstler

Ernst Ludwig Kirchner

Title

Zirkusszene

Year

1911

Exhibitions (selection)

How to Brücke-Museum: Ein Blick hinter die Kulissen , 2022/2023, Brücke-Museum, Berlin
1910: Brücke. Kunst und Leben, 2022, Brücke-Museum, Berlin
Whose Expression? Die Künstler der Brücke im kolonialen Kontext , 2021/22, Brücke-Museum, Berlin

Literature (selection)

Magdalena M. Moeller (Hg.), Brücke-Museum Berlin, Malerei und Plastik. Kommentiertes Verzeichnis der Bestände, Hirmer Verlag, München 2006.
Werner Murrer, Lisa Marei Schmidt und Daniel J. Schreiber (Hg.), UNZERTRENNLICH. Rahmen und Bilder der Brücke-Künstler, Ausst.-Kat. Brücke-Museum Berlin, Koenig Books, London 2020.

Details

Tags
Bildgattung: Figurenbild, Szene, Akt
Schlagwort: Tanz, Variété, Vergnügung
Album: Rückseiten

GND
Referenz: Gupta-Kunst, Salome. Salomes Tanz

Iconclass
Zirkus
die (nackte) menschliche Figur; Ripa: Corpo humano – AA – weibliche Figur
Tänzerin
stehende Figur
erwachsener Mann
erwachsene Frau
tanzen

Inscription/Signature
Nicht signiert (Signatur)
auf dem Bildträger: Kopf mit Pfeife (Bezeichnung)
auf dem Keilrahmen um 180° gedreht: E L Kirchner (Bezeichnung)
auf dem Rahmen um 90° gedreht: Kopf mit Pfeife (Bezeichnung)

Inventory Number
46/71 v

Catalog Number
Gordon 296 v

Imprint

All content about the artwork is based on conversations from a workshop that took place in the context of Various Answers.

Workshop Participants

(Maria)

Maria González Leal | BodyMary is an Afro-Cuban German femme who works in anti-discrimination consulting and as a speaker, coach, workshop leader and educational consultant. Maria’s main topics of interest include intersectional feminism, anti-racism, weight discrimination, sexism, neurodivergence, chronic illness, invisible disabilities and inherited poverty

(Nadine)

Nadine Nzambisa Ngolo, 27, is interested in critical discussions of various topics and pop culture

(Princela)

Princela Biyaa works as a freelance educational consultant and cultural producer on projects that contribute to the empowerment of Black communities

(Sydney)

Sydney is a creative who likes words and beautiful pictures, runs a brand, and advocates for the environment and our shared world

(Yemisi)

Yemisi Babatola studied cultural studies, sings and writes poetry, seeks empowering avenues for people with intersectional experiences of racism, is inspired by the love of Black lesbians, 36, and is a freelance empowerment trainer and project manager at weißensee kunsthochschule berlin

Conception / Moderation

(Josephine)

Josephine Ansah Valerie Deutesfeld (sie/ihr) is a philosopher who loves creative aesthetics on a large and small scale and enjoys writing and reading

Coordination

(Judith)

Judith Kirchner (sie/ihr) was head of the project Various Answers and is also a freelance art mediator who focuses on art, politics and feminism in her work, she prefers to think and act in collective settings.

Guest

(Lisa)

Lisa Marei Schmidt, Director, Brücke-Museum, Berlin

Additional content

(Sydney)

Workshop Participant
Video: Interview, interviewed by Josephine A.V. Deutesfeld and Josephine Papke

(Nadine)

Workshop Participant
Audio commentary

(Maria)

Workshop-Participant
Text: Maria González Leal, The Supposed Orient and the Zirkusszene (Circus Scene)

(Noah)

Noah Sow
Quote: Rascism (full text requested) From: Susan Arndt, Wie Rassismus aus Wörtern spricht: (K)Erben des Kolonialismus im Wissensarchiv deutsche Sprache, Unrast Verlag, Münster 2011, p. 37.