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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:32373436-3237-4463-a333-643330306665 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20281029T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20261025T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20271031T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20260329T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20270328T020000 RDATE:20280326T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_4967@www.bruecke-museum.de DTSTAMP:20261105T193344Z CLASS:PUBLIC DESCRIPTION:With Karen Michelsen Castañón (art mediator and artist) and Tan ja-Bianca Schmidt (art mediator and art historian)\n\nIn the early 20th ce ntury\, Swedish artists attended Henri Matisse’s art school in Paris. Ther e\, they developed new forms of artistic expression\, challenging represen tations of the body\, nature\, and society that reinforced social norms. A t the same time\, their work was shaped by projections onto Islamic art\, as well as by exoticizing\, sexualised\, and racialised ideas. In this wor kshop\, we will explore the art of Swedish Modernism with a critical aware ness of power relations and discrimination. We will reflect on our own per spectives and explore methods of critically examining artworks.\n\nDuring the workshop\, we will address the following questions: From which positio n do I speak? What ideas about otherness\, nudity\, nature\, role models\, and difference does the work convey? What (hurtful) effect does exhibitin g this artwork have on you? To what extent does your experience guide your perception? How does adopting a different attitude towards the work chang e your perception?\n\nThe workshop is process-oriented and involves variou s exercises and methods that use participants’ life experiences and self-o bservation as an important resource. The exercises are done individually\, in small groups\, or in full-group sessions. No prior knowledge is necess ary.\n\nKaren Michelsen Castañón (born in Lima\, Perú) is a visual artist\ , filmmaker\, and freelance researcher. Her work deals with the way (colon ial) stories are told and includes short films\, photographs\, and textile s. She questions how both hegemonic and invisible stories are restaged in our everyday lives and how this relates to current social events.\n\nTanja -Bianca Schmidt studied art history in a global context. Her areas of focu s are critiques of power\, Black identity\, and postcolonial theory. As a freelance political educator\, she advises various museums in Germany on d iversification and decolonisation strategies. Schmidt regularly organises workshops on discrimination-sensitive approaches in art history. She is cu rrently completing her PhD in the DFG-funded research project “Image Prote sts on Social Media” at the TU Dresden (Dresden University of Technology). \n\nWe are committed to respectful interaction. Discriminatory behavior ha s no place at our events. DTSTART;TZID=Europe/Berlin:20270213T120000 DTEND;TZID=Europe/Berlin:20270213T160000 SEQUENCE:1 SUMMARY:Brücke Museum: Against the Grain: Power-critical Perspectives TRANSP:OPAQUE END:VEVENT END:VCALENDAR