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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:39643864-3330-4461-b566-343763396634 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20271031T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20251026T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20261025T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20260329T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20270328T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_4478@www.bruecke-museum.de DTSTAMP:20260412T113909Z CLASS:PUBLIC DESCRIPTION:With the Karen Michelsen Castañón (art educator\, artist) and T anja Bianca-Schmidt (art historian)\n\nWith their expressive\, colourful\, and high-contrast paintings\, the Brücke artists not only rebelled agains t the prevailing sense of taste and the strongly restrictive taboos of the bourgeoisie at the beginning of the twentieth century\, but also contribu ted to the consolidation of exoticised\, sexualised and normative ideas ab out nature\, the body and society. In this workshop\, we will approach the art of the Brücke group from a perspective that is critical of power and sensitive to discrimination. To this end\, we will first trace and critica lly reflect on our own positioning. We will then look at and try out metho ds of critical visual observation. During the workshop\, we will address t he following questions: From which position do I speak? What do I see? Wha t ideas about otherness\, nudity\, nature\, role models and difference doe s the work convey? What (hurtful) effect does exhibiting this artwork have on you? To what extent does your experience guide your perception? How do es a different attitude to the work change your perception? The workshop i s process-oriented and involves various exercises and methods that use par ticipants’ life experiences and self-observation as an important resource. The exercises are done individually and in small groups or altogether.\n \nNo prior knowledge necessary. This will be followed by the discussion Un schuldige Dinge? A project by the Werkbund Archive – Museum of Things. We are committed to respectful interaction. Discriminatory behavior has no pl ace at our events.\n\nKaren Michelsen Castañón (born in Lima\, Peru) is a visual artist\, filmmaker and freelance researcher. Her work deals with th e way (colonial) histories are told and includes short films\, photographs and textiles. She questions how both hegemonic and invisible stories are re-staged in our everyday lives and how this relates to current social eve nts.\n\nTanja-Bianca Schmidt studied art history in a global context. Her focus is on critiques of power\, theories of difference\, Black identity a nd the aesthetics of migration. As a political mediator\, she advises vari ous museums in Germany on diversification and decolonisation strategies\, and she regularly hosts workshops on discrimination-sensitive approaches i n art history. She is currently doing her PhD in the DFG-funded project “I mage Protests on Social Media” at the TU Dresden. DTSTART;TZID=Europe/Berlin:20260420T140000 DTEND;TZID=Europe/Berlin:20260420T160000 SEQUENCE:1 SUMMARY:Brücke Museum: Against the Grain. Power-critical Perspectives TRANSP:OPAQUE END:VEVENT END:VCALENDAR