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X-WR-CALNAME:Brücke Museum
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BEGIN:VTIMEZONE
TZID:Europe/Berlin
TZUNTIL:20271031T010000Z
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TZNAME:CET
DTSTART:20251026T030000
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UID:event_4449@www.bruecke-museum.de
DTSTAMP:20260808T191605Z
CLASS:PUBLIC
DESCRIPTION:Around 1900\, social gender roles determined who had access to 
 art education. At the same time\, there were clear ideas about which forms
  of expression were considered art. Women* were often directed towards are
 as such as textiles\, ceramics\, or illustration. Painting and sculpture\,
  on the other hand\, remained male-dominated – a pattern that was also ver
 y present at the Bauhaus. In this tour\, we aim to question traditional as
 signments and conventions that continue to shape our understanding of mate
 rial\, medium\, and authorship today. We will take textile works and other
  craft materials as our starting point.\n\nThis tour is part of WOMEN ART 
 OPEN 2026\, an initiative by Fair Share. We are committed to respectful in
 teraction. Discriminatory behavior has no place at our events.\n\nTanja-Bi
 anca Schmidt studied art history in a global context. Her focus is on powe
 r critique\, black identity and postcolonial theory. As a political mediat
 or\, she advises various museums in Germany on diversification and decolon
 isation strategies. She regularly organises workshops on discrimination-se
 nsitive approaches in art history. She is currently doing her PhD in the D
 FG-funded project “Image Protests on Social Media” at the TU Dresden.\n\nK
 aren Michelsen Castañón (born in Lima\, Peru) is a visual artist\, filmmak
 er and freelance researcher. Her work deals with the way (colonial) histor
 ies are told and includes short films\, photographs and textiles. She ques
 tions how both hegemonic and invisible stories are re-staged in our everyd
 ay lives and how this relates to current social events.
DTSTART;TZID=Europe/Berlin:20260308T110000
DTEND;TZID=Europe/Berlin:20260308T235900
SEQUENCE:1
SUMMARY:Brücke Museum:
TRANSP:OPAQUE
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