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UID:66313762-3636-4131-a537-643662623136
X-WR-CALNAME:Brücke Museum
X-WR-CALDESC:
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X-WR-TIMEZONE:Europe/Berlin
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TZID:Europe/Berlin
TZUNTIL:20270328T010000Z
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DTSTART:20241027T030000
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TZOFFSETTO:+0100
RDATE:20251026T030000
RDATE:20261025T030000
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DTSTART:20250330T020000
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RDATE:20260329T020000
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BEGIN:VEVENT
UID:event_4148@www.bruecke-museum.de
DTSTAMP:20260720T012654Z
CLASS:PUBLIC
DESCRIPTION:A Self Portraiture Workshop for PAD-Community*\n\nWith Monilola
  Olayemi Ilupeju (Visual artist) and Anna Yeboah (Architect and Curator\, 
 and part of the Nicht Einfach-Team)\n\nTaking its title from Audre Lorde’s
  seminal 1982 speech “Learning from the Sixties”\, this workshop by Nigeri
 an-American artist Monilola Olayemi Ilupeju and Anna Yeboah explores the e
 xpansive potential of self-portraiture as a practice of self-knowledge\, h
 ealing\, and cultural critique for Black people and people of African desc
 ent. Through the use of reference images\, writing\, and drawing\, partici
 pants will experiment with portraiture as a way to deconstruct and reimagi
 ne broader paradigms of identity.\n\nEach participant is asked to bring on
 e image they consider to be a self-portrait\, however literal or symbolic.
  Using this image as a starting point\, participants will receive a series
  of prompts and instructions to guide their drawings\, which they may foll
 ow\, resist\, or reimagine altogether. The workshop will conclude with a c
 ollective sharing and discussion of the works created.\n\nThis workshop is
  exclusively intended for Black people and people of African descent. We k
 indly ask that this collective self-identification and the spaces connecte
 d to it be respected. The workshop will be predominantly held in English\,
  with the option of translation into German. No prior knowledge or skills 
 are required.\n\nMonilola Olayemi Ilupeju (she/her) is a Nigerian-American
  artist and writer based in Berlin. Working across painting\, writing\, pe
 rformance and installation\, she balances intimate experiences of connecti
 on\, violence\, and healing against broader considerations of cultural dis
 tortion and identity. She graduated with distinction from New York Univers
 ity\, where she studied studio art and social and cultural analysis. She i
 s also an alumna of the Skowhegan School of Painting and Sculpture. She is
  currently a participant in the BPA// Berlin Program for Artists.\n\nInsta
 gram:  @monilola\n\nAnna Yeboah  (she/her) is an architect and curator. In
  her exhibitions\, lectures and interdisciplinary projects\, she deals wit
 h power systems in built space\, memory culture and the decolonisation of 
 architectural and cultural praxis. From 2020 to 2024\, she coordinated the
  pilot project Dekoloniale Erinnerungskultur in der Stadt - Decolonial Cul
 ture of Remembrance in the City for the Initiative of Black People in Germ
 any e.V.\, which deals with the critical processing\, mediation and rememb
 rance of colonialism originating in Berlin. As part of the Nicht Einfach (
 Not Easy) specialists team\, Anna Yeboah conceived the content of this eve
 nt together with the artist.\n\nInstagram: @annakoma\n\nThis event is spar
 t of the pluralistic Discourse Programme Not Easy: It invites dialogue on 
 plural perspectives within contemporary German memory discourse and social
  coexistence. Starting from the life and work of the artist Irma Stern (18
 94–1966)\, it explores the complex entanglements of antisemitism\, colonia
 lism and racism. The programme encourages participants to expand their per
 spective on Stern’s ambivalent experiences between persecution and exile a
 s a Jewish German woman\, as well as her privileges as a white South Afric
 an.\n\nDeveloped by Ahmad Dakhnous\, Tahir Della\, Anna Yeboah and Yehudit
  Yinhar\, accompanied by Pegah Byroum-Wand and Daniela Bystron.\n\n* Peopl
 e of African descent is an internationally used term that encompasses all 
 people who have their roots in Africa\, regardless of where they live toda
 y. The term originated in the context of the UN and international human ri
 ghts debates to highlight and specifically address the diversity\, history
  and experiences of discrimination faced by people of African descent.
DTSTART;TZID=Europe/Berlin:20250920T120000
DTEND;TZID=Europe/Berlin:20250920T160000
SEQUENCE:1
SUMMARY:Brücke Museum: “If I Didn’t Define Myself For Myself\, I Would Be C
 runched Into Other People’s Fantasies For Me And Eaten Alive.”
TRANSP:OPAQUE
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