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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:31303833-6532-4439-a336-346236626132 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20261025T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20241027T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20251026T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20240331T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20250330T020000 RDATE:20260329T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_3761@www.bruecke-museum.de DTSTAMP:20260720T125052Z CLASS:PUBLIC DESCRIPTION:With Karen Michelsen Castañón and Gudrun Ingratubun (visual art ists)\n\nLise Gujer wove her deep feeling for the life of plants into her weavings. Her sensory experiences with plants in the Global South and in S witzerland also influenced her approach to her tapestries. With regard to our joint work in the workshop\, we will approach the Grunewald with its o wn history\, made up of living beings\, but characterised by centuries of capitalist interests. \n\nIn this workshop we will collect different plan t leaves and forms from the surrounding Grunewald. Using a special process \, we will print them onto fabrics. The fine and different structures of l eaves and needles will be imprinted on the fabrics. We then paint and embr oider further elements onto the printed fabrics\, which we then sew togeth er to form a large piece. Can we enable other encounters with the forest w ith our tapestry?\nThe event is aimed at people of all ages and genders (a ll genders welcome). The artists speak German\, English\, Spanish and Indo nesian. Translations are possible in the room to make the workshop more ac cessible.\n\nKaren Michelsen Castañón (born in Lima\, Peru) is a visual ar tist\, filmmaker and freelance researcher. Her work deals with the way (co lonial) stories are told and includes short films\, photographs and textil es. She questions how both hegemonic and invisible stories are re-staged i n our everyday lives and how this relates to current social events. \n\nGu drun Ingratubun (born 1969) studied agriculture and English and lived in I ndonesia for a long time. Since returning to Berlin\, she has been transla ting Indonesian literature into German. As an artist\, she deals with soci al spaces\, colonial structures\, the climate crisis and collective mourni ng. Her botanical prints (Ecoprints) on paper and fabric\, mixed media wor ks and planted upcycling installations at documenta fifteen in Kassel and in Berlin-Charlottenburg invite dialogue and collective action at ear leve l. Her most recent works deal with the colonial histories of trees of the gods\, indigo\, za'atar\, pines and olive trees. DTSTART;TZID=Europe/Berlin:20250301T100000 DTEND;TZID=Europe/Berlin:20250301T180000 SEQUENCE:1 SUMMARY:Brücke Museum: This is where I learned to love snakes (GER/EN/ES/ID ) TRANSP:OPAQUE END:VEVENT END:VCALENDAR