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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:35346530-6164-4162-a530-306136616230 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20261025T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20231029T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20241027T030000 RDATE:20251026T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20240331T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20250330T020000 RDATE:20260329T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_3600@www.bruecke-museum.de DTSTAMP:20260511T084546Z CLASS:PUBLIC DESCRIPTION:With Jasmin Hartmann (director\, Koordinationsstelle für Proven ienzforschung in Nordrhein-Westfalen\, KPF.NRW) and Nadine Bauer (provenan ce researcher\, Brücke-Museum)\n\nAny question about an artwork’s origins\ , its previous owners or locations already gets to the heart of provenance research. Reading and understanding the traces an artwork leaves behind i n newspapers\, magazines\, exhibition catalogues\, and letters of people w hose hands it has passed through over the course of its existence can offe r as many clues about a work’s history as the work itself. These same clue s can also provide information about a work’s former owners.\n\nToday\, pr ovenance research is particularly engaged with determining whether public museums are the lawful owners of the artworks they exhibit. Special attent ion is paid to the histories of artworks that were confiscated\, sold unde r duress or disappeared involuntarily in other ways under the National Soc ialist regime\, as well as owners who were persecuted or blackmailed. But how is Nazi-looted cultural property traced and found? And how should we p roceed when a Nazi-looted artwork has been identified?\n\nThis workshop fa miliarises participants with the historical and legal frameworks of proven ance work\, specific possibilities for research as well as documentation s tandards. With the help of selected case studies\, relevant source materia ls\, projects and databases are presented that aim to convey how to acquir e basic provenance research skills. Practical exercises provide initial in sights into the everyday work of provenance research.\n\nJasmin Hartmann h as directed the Koordinationsstelle für Provenienzforschung in Nordrhein-W estfalen (Coordinating Office for Provenance Research in North Rhine-Westp halia) since 2022. From 2016 to 2021\, she established the then newly-foun ded department of provenance research in Düsseldorf\, NRW’s state capital. After studying art history\, French philology and applied cultural studie s – culture\, communication\, management – in Münster and Berlin\, Hartman n completed her training at the Arbeitsstelle für Provenienzrecherche/-for schung in Berlin\, AsKI e.V.\, a provenance research centre. Later\, she h eld research assistant positions at the Staatliche Kunstsammlungen Dresden and the Wallraf-Richartz-Museum &\; Fondation Corboud in Cologne.\n\nN adine Bauer is a provenance researcher. After studying in Münster\, Berlin and Vienna\, she completed a traineeship at the National Museums in Berli n and worked at the German Lost Art Foundation in Magdeburg. In 2020\, she completed her doctorate on Munich's Galerie Almas and its involvement in the art trade during the Nazi era. Provenance research at the Brücke-Museu m since 2018. From 2021 to 2024 she worked in parallel at the Hamburger Ku nsthalle and since March 2024 as a provenance researcher at the Grisebach auction house. DTSTART;TZID=Europe/Berlin:20241019T120000 DTEND;TZID=Europe/Berlin:20241019T160000 SEQUENCE:1 SUMMARY:Brücke Museum: Workshop: HANDS-ON Provenance Research\nFoundations\ , Tools and Practical Examples from the Field of Provenance Research TRANSP:OPAQUE END:VEVENT END:VCALENDAR