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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:63333066-3961-4266-a363-366331313462 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20260329T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20231029T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20241027T030000 RDATE:20251026T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20240331T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20250330T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_3352@www.bruecke-museum.de DTSTAMP:20260809T220325Z CLASS:PUBLIC DESCRIPTION:With Christiane Rösinger (author\, musician\, and theatre direc tor)\, moderated by Sonja Eismann (editor\, Missy Magazine)\n\nEver since her indie hit ‘Liebe wird oft überbewertet’ (Love Is Often Overrated)\, it has been clear that the underground icon Christiane Rösinger\, who hails from the Black Forest and has lived in Kreuzberg for decades\, is both the sharpest and wittiest critic of the ‘romantic two-person relationship’. R ösinger has not only dedicated a non-fiction book to ‘couple critique’\, i .e.\, questioning the glorification of the ‘romantic relationship’\, which has coagulated into an ideology and is supposed to make everyone happy co me hell or high water\, but also a large part of her legendary\, witty\, a nd melodic songwriting with titles such as ‘Die Pärchenlüge’ (The Couple L ie) or ‘Mein zukünftiger Ex-Freund’ (My Future Ex-Boyfriend). The best ant idote according to the co-founder of the band Lassie Singers? A feminist s elf-confidence that does not dwell on conforming to oppressive norms of fe mininity\, but instead seeks the fun in the collective and in being alone (and perhaps in being with the big black dog that she so fervently wishes for in ‘Iowa’\, her latest work together with Stefanie Sargnagel). Like Ha nna Bekker vom Rath\, Rösinger knew early on that a woman’s salvation cann ot lie in subordinating her life to a classic couple relationship. Early s ongs such as ‘Freundinnen müsste man sein’ (You Should Be Girlfriends) sho w what Rösinger has made increasingly clear in recent years with her work as a theatre director: Feminist and class-struggle alliances are what keep us alive – and above all bring us joy into old age. Because: ‘Once the bo yfriend is on the sofa\, no car or moped will help’.\n\n \n\nChristiane Rö singer (she/her) is a Berlin-based musician\, songwriter\, author\, and th eatre director. With her band Lassie Singers\, she anticipated the boom in German-language indie music in the late 1980s\, and with her musical foll ow-up projects Britta and her solo career\, she has continued to take a hu morous and melancholy-critical look at everyday phenomena\, sexism\, and c lass society. In recent years\, she has also enjoyed success as a writer a nd theatre director with plays such as Planet Egalia and Die große Klassen revue.\n\n[rule]\n\nThis event is part of the series FEMINIST PERSPECTIVES \, an intersectional\, discursive accompanying programme curated by Sonja Eismann (editor of Missy Magazine) and Josephine Papke (author and journal ist). DTSTART;TZID=Europe/Berlin:20240505T150000 DTEND;TZID=Europe/Berlin:20240505T160000 SEQUENCE:1 SUMMARY:Brücke Museum: 'You Should Be Girlfriends'\nReading and Music in th e Garden TRANSP:OPAQUE END:VEVENT END:VCALENDAR