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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:66396230-6662-4333-a232-366436333138 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20251026T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20231029T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20241027T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20230326T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20240331T020000 RDATE:20250330T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_3348@www.bruecke-museum.de DTSTAMP:20260512T070203Z CLASS:PUBLIC DESCRIPTION:With Jeanne-Ange Wagne (artistic researcher\, art and cultural mediator) and Amadou Hemboum (scientist)\n\nDuring the Nazi era\, Hanna Be kker vom Rath showed courage by organising ‘secret exhibitions’ in her pri vate flat in Berlin. She showed works by artists who had been discredited by the Nazis. Today\, however\, it is extremely important to look at this art from an anti-colonial perspective. For the Europeans manifested their imperialist claim to power not only through political or territorial super iority\, but also in their approach to art. This also included the assumpt ion that art was a Western construct. The dominant understanding of art is therefore still largely characterized by the binary construction of self and other\, that is\, a division between one’s ‘own’ art\, i.e.\, European or Western art\, and art that represents the so-called ‘other’ from a Eur opean perspective. This way of thinking thus constructs a logic of norm an d deviation.\n\nHow can the art of Hanna Bekker vom Rath be viewed in a re flective way that does not ignore the violent aspects of the collection’s creation? How can the institution of the museum in general become a place of encounter that breaks with hegemonic structures and creates space for d ecolonial perspectives?\n\nJeanne-Ange Wagne is an art historian\, art med iator and creative\, who engages in artistic research on (German) remembra nce culture\, colonial history and colonial provenance research. As a free lance art mediator\, she regularly offers critical mediation formats for t he public program of cultural and art institutions most recently for Villa Oppenhein\, Dekoloniale\, KW Institute for Contemporary Art as well as th e 12th Berlin Biennale. Until October 2023 she also worked for the German branch of the transnational research project 'The Restitution of Knowledge '\, at the department of Art History at Technische Universität Berlin wher e in 2022 and 2023 she co-curated and coordinated the event series KuK-Tue sdays: Dislocation.\n\n[rule]\n\nThis event is part of the series FEMINIST PERSPECTIVES\, an intersectional\, discursive accompanying programme cura ted by Sonja Eismann (editor of Missy Magazine) and Josephine Papke (autho r and journalist). DTSTART;TZID=Europe/Berlin:20240310T140000 DTEND;TZID=Europe/Berlin:20240310T170000 SEQUENCE:1 SUMMARY:Brücke Museum: A Critical Tour of the Exhibition \nViewing Art from an Anti-Colonial Perspective TRANSP:OPAQUE END:VEVENT END:VCALENDAR