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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:30326539-6263-4738-b661-313235623236 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20250330T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20221030T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20231029T030000 RDATE:20241027T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20230326T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20240331T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_2306@www.bruecke-museum.de DTSTAMP:20260516T205729Z CLASS:PUBLIC DESCRIPTION:The panel is devoted to a reevaluation of key works of Expressi onism. Building upon the multifaceted interpretive possibilities of an aut onomous art movement beyond naturalism\, selected works by Ernst Ludwig Ki rchner and Erich Heckel are reexamined from an interdisciplinary perspecti ve\, opening them up to current arenas of discourse. The individual contri butions are guided by the concept of artistic transgression\, to which the members of the Brücke were committed in terms of blurring the boundaries between artistic genres. Through the dialogue of panel paintings and mural s\, serial graphics and poetry\, painting\, dance\, gesture\, and performa nce\, the creative processes that serve as a timeless affirmation to keep Expressionism alive to this day will be unveiled.\n\nHost: Dr. Meike Hoffm ann (Freie Universität Berlin)\n\nDr. Meike Hoffmann is a lecturer in the field of Expressionism\, Nazi art politics\, and memorial culture at the Freie Universität Berlin. At the Department of Art History\, she is the he ad of the following provenance research projects: Research Center “Entarte te Kunst\,“ Mosse Art Research Initiative (MARI)\, Abraham Adelsberger Art Research Project (AAARP). Her recent publications include: Meike Hoffmann / Dieter Scholz (eds.): Unmastered Past? Modernism in Nazi Germany. Art\, Art Trade\, Curatorial Practice\, Berlin 2020\; Meike Hoffmann and Aya So ika: Escape into Art? The Brücke Painters in the Nazi period\, Munich 2019 .\n\n \n\nDr. Julia Cloot (Kulturfonds Frankfurt RheinMain): Künstlerfigur en bei Jean Paul und Erich Heckel – Musik\, Literatur\, Malerei (DE)\n\nIn the literature of the 1800s\, the description of actually resounding or i magined music serves as a means to mark heightened moments in the text. De limitation is achieved through expansive conditional clauses or the parata ctic concatenation of main clauses. Moreover\, Jean Paul (1763–1825) intro duces artist figures in his novels\, such as the flutist Vult in the novel Flegeljahre or the Don Juanesque player Roquairol in the novel Titan. The latter served as a subject for several works by Erich Heckel titled Roqua irol: a painting\, a woodcut (both from 1917)\, and two ink drawings (1918 ) – these works evoke associations with his artist friend Ernst Ludwig Kir chner. The presemtation will trace the manifold connections within the rea lm of literature\, music\, and visual arts.\n\nJulia Cloot\, a music and l iterary scholar\, served as Chief Dramaturge at Theater Görlitz in Berlin after completing her doctorate in 1999. From 2001\, she worked as a Founda tion Officer in Hannover. Between 2005 and 2013\, she directed the Institu te for Contemporary Music at the University of Music and Performing Arts i n Frankfurt\, as well as the Off-Program of the Donaueschingen Music Days from 2006 to 2013. Since October 2013\, she has been a curator and procura tor at the Kulturfonds Frankfurt RheinMain. From 2011 to 2021\, she was th e President of the German Society for New Music\, and since 2016\, she has been a board member of the Music Fund of the Federal Government. She serv es as a juror for various institutions.\n\n \n\nJoseph Henry (CUNY Graduat e Center / Diamonstein-Spielvogel Fellow\, Metropolitan Museum of Art): Er ich Heckel’s Die Ballade vom Zuchthaus zu Reading and the Politics of the Natural (EN)\n\nThis paper explores a 1907 print portfolio by Erich Heckel based on Oscar Wilde’s 1897–98 poem The Ballad of Reading Goal. If Wilde’ s poem addressed his own experiences in prison following convictions of “g ross indecency” with men\, how did Heckel’s woodcut prints illustrate conn ections between timber matrix and carceral architecture\, between print’s most “natural” technique and the “unnaturalness” of homosexual desire in b oth Victorian England and Wilhelmine Germany? Could Heckel’s portfolio pre sent\, this paper asks\, an early modernist instance of queer ecological c ritique?\n\nJoseph Henry is a PhD candidate at the City University of New York and a Diamonstein-Spielvogel Fellow at the Metropolitan Museum of Art . His dissertation Spiritualized Machines: Die Brücke\, Expressionism\, an d Wilhelmine Modernity explores a nascent industrial aesthetic within Die Brücke's otherwise primitivizing techniques\, motifs and theories. He has received funding from institutions such as the DAAD\, through which he was a researcher at the Brücke-Museum from 2019 to 2020. He has published art icles in Artforum and Art in America and has an upcoming article in Oxford Art Journal on the reception of Vladimir Tatlin in Berlin Dada.\n\n \n\nP D Dr. Thomas Röske (Sammlung Prinzhorn\, Universitätsklinikum Heidelberg): E.L. Kirchner\, Alpsonntag. Mit erzählendem Alten – Deutung und Datierung (DE)\n\nOne of Kirchner's largest canvas paintings is also one of the mos t well-known\, as it frequently appears in the media. However\, the four-m eter-wide painting Alpsonntag. Mit erzählendem Alten has received little d etailed examination thus far\, as it has been rarely displayed in exhibiti ons. As a result\, a coherent interpretation of the painting (as well as i ts counterpart in the Kunstmuseum Bern) is still lacking. Additionally\, t he documented dating requires correction\, as evidenced by sketches and le tters.\n\nPD Dr. Thomas Röske has been the director of the Prinzhorn Colle ction at Heidelberg University Hospital since November 2002. He studied ar t history\, musicology\, and psychology in Hamburg and obtained his doctor ate in 1991. From 1993 to 1999\, he worked as a scientific assistant at th e Art History Institute of the University of Frankfurt. In addition\, he h as worked as a freelance exhibition curator for various institutions. Sinc e April 2012\, Röske has been the president of the European Outsider Art A ssociation (EOA). In 2015\, he completed his habilitation at the Universit y of Frankfurt am Main.\n\n \n\nMarietta Piekenbrock (Kuratorin\, Autorin\ , Kulturmanagerin\, Berlin): Der fremde Tanz. Für eine neue Ethik der Anei gnung (DE)\n\nThe modern era would be inconceivable without the interplay of appropriation\, a global groove of art\, dance\, and performance. Ernst Ludwig Kirchner was already enthusiastic about non-European cultures and dance early on. It is precisely here that the cultural production of his a vant-garde takes its starting point: in an ethic that consciously employs its own artifice.\n\nMarietta Piekenbrock is an author\, curator\, and cul tural manager. After working in Aix-en-Provence\, Munich\, Paris\, and the Ruhr area\, she now lives in Berlin. She was part of the management team of the European Capital of Culture RUHR.2010\, served as the Head Dramatur g of the Ruhrtriennale and worked as the Program Director of the Volksbühn e Berlin. She curated the exhibition Global Groove at the Museum Folkwang. Starting in 2024\, she will be the Artistic Director responsible for the establishment and program of the Summer Academy Zollverein in Essen. She h as published numerous books and essays on international developments in ar t and culture. DTSTART;TZID=Europe/Berlin:20230603T133000 DTEND;TZID=Europe/Berlin:20230603T153000 SEQUENCE:1 SUMMARY:Brücke Museum: Expressionism Revisited TRANSP:OPAQUE END:VEVENT END:VCALENDAR