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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:38623431-3433-4731-b462-316364363664 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20250330T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20221030T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20231029T030000 RDATE:20241027T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20230326T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20240331T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_2305@www.bruecke-museum.de DTSTAMP:20260307T022301Z CLASS:PUBLIC DESCRIPTION:The panel puts a spotlight on shifts in perspective\, the embra ce of cultural studies approaches\, and the deconstruction of popular narr atives that have injected significant dynamism into international expressi onism research in recent years. Through critical examination of previously unknown sources\, analysis of newly gathered data on provenance and colle ction history\, and exploration of the cultural policy framework within We stern museum institutions\, the presentations traverse a broad spectrum. T hey range from reevaluating the artistic assimilation of non-European cult ural heritage in the works of Ernst Ludwig Kirchner and Karl Schmidt-Rottl uff to examining the reception of German expressionism in the United State s and France.\n\nHost: Dr. Andrea Meyer (Technische Universität Berlin)\n \nDr. Andrea Meyer is a research associate at the Institute of Art History and Historical Urban Studies at TU Berlin since 2003. She is a member of the research consortium Museums and Society - Mapping the Social as well a s the international network Making Museum Professionals\, 1850-the present . Her research focuses on museum history and the visual arts of modernity. Currently\, she is engaged in the research project Reverse Collection His tory\, which explores the artistic reception of cultural artifacts from th e former colony of Cameroon in Germany.\n\n \n\nDr. Sol Izquierdo de la Vi ña (Technische Universität Berlin): Entangled Images of India: A Transcult ural Perspective on Kirchner's Appropriation (EN)\n\nThe circulation of st ories\, images\, and cultural assets from South Asia\, which had a strong impact on art and society in Germany at the turn of the 20th century\, cre ated a stereotyped imaginary of India. Ernst Ludwig Kirchner was fascinate d by two ancient Indian artworks in particular\, the play Śakuntalā and th e Buddhist murals of Ajanta. While in Dresden these works corresponded to orientalist Western desires\, in Kolkata they served the pro-independence movement to recover a vernacular tradition previously censored by colonial institutions. Paying attention to both local contexts\, Sol Izquierdo de la Viña challenges the Eurocentric narrative of art history and rehearses a decentered cartography of modernisms entangled processes.\n\nDr. Sol Izq uierdo de la Viña is a postdoctoral fellow at the Technical University of Berlin\, where she is conducting research on the Austrian-Jewish artist Le ne Schneider-Kainer. She obtained her PhD in Art History from the Complute nse University of Madrid in 2021. Her dissertation\, which was awarded the Enrique Fuentes Quintana Prize for Humanities\, examined Ernst Ludwig Kir chner’s reception of Indian art from a transcultural and postcolonial pers pective. She recently co-curated the exhibition Whose Expression? The Brüc ke Artists and Colonialism at the Brücke-Museum Berlin.\n\n \n\nMatthias G egner (Kirchner Museum Davos): Ambiguitäten untersuchen und aushalten – Ka rl Schmidt-Rottluffs Stillleben und seine Künstlersammlung (DE)\n\nDuring his lifetime\, Karl Schmidt-Rottluff not only amassed a comprehensive coll ection of ethnological artifacts and natural specimens\, but also incorpor ated these objects into his numerous still lifes. Drawing on critical rese arch perspectives of recent years\, a systematic analysis of extensive pri mary sources unveils the inherent personal and artistic ambiguities of the expressionist\, while also providing a comprehensive exploration of the m ultifaceted painted representations of these collected objects in his artw orks.\n\nMatthias Gegner is assistant curator at the Kirchner Museum Davos . He previously studied museology and art history with a focus on art tech nology in Berlin. He was awarded the title of top graduate and received a scholarship from the German Academic Scholarship Foundation. In addition t o his studies\, he actively participated as a student assistant in several university research projects. In 2022\, he completed his studies with a t hesis on the painterly representation of Karl Schmidt-Rottluff’s artist co llection.\n\n \n\nDr. Max Koss und Fabio Mariani (Leuphana Universität Lün eburg): Actual Time of Arrival: The Acquisition of Expressionist Art by Un ited States Museums (EN)\n\nThe paper analyzes the arrival of Expressionis t art in American museums using a data-driven methodology. Questioning the narrative of a belated arrival of Expressionism in museums in the United States\, the paper focuses on identifying temporal and geographical trends that suggest a more nuanced history of Expressionist reception in America .\n\nDr. Max Koss is a Research Associate at Leuphana University Lüneburg. Max holds an MA and PhD in Art History from the University of Chicago and degrees from the Courtauld Institute of Art (MA) and the London School of Economics and Political Science (BSc). Their research interests are perio dical studies\, material histories of modern art\, and the social and econ omic history of art. Max’s most recent publication\, together with Lynn Ro ther and Fabio Mariani\, is Hidden Value: Provenance as a Source for Econo mic and Social History (Economic History Yearbook\, 2023).\n\nFabio Marian i is Digital Humanities Research Associate at Leuphana University Lüneburg \, where he is also a PhD candidate on Vague\, Incomplete\, Subjective\, a nd Uncertain Information in Digital Art History. Fabio’s current research focuses on semantic web technologies applied to complex art historical inf ormation through the use of AI. His most recent publication\, together wit h Lynn Rother and Max Koss\, is Hidden Value: Provenance as a Source for E conomic and Social History (Economic History Yearbook\, 2023).\n\n \n\nMic hael Rauch (Ludwig-Maximilians-Universität München / Université Paris 1 Pa nthéon-Sorbonne): Multiple Expressionismen: Taxonomie als Problem der Kuns thistoriografie? (DE)\n\nWithin the French context of reception and exhibi tion\, German Expressionism proves to be a hermeneutical problem in the 's hort 20th century.' Faced with obsolete ideologies and a new world order\, the question arises whether the exhibition Le fauvisme ou 'l'épreuve du f eu' (Musée d'Art Moderne de Paris\, 1999/2000) subjects Expressionism or F auvism to a geographical redefinition as a pan-European phenomenon\, from Paris to Munich\, Budapest to Berlin\, and Moscow.\n\nMichael Rauch studie d art history and communication sciences in Munich\, Paris\, and Venice. H e worked for the Peggy Guggenheim Collection\, the Leopold Museum in Vienn a\, and most recently at the Deutsches Forum für Kunstgeschichte (DFK Pari s). Currently\, he is writing a doctoral thesis on the reception of German Expressionism in France from a postmodern perspective. A DAAD scholarship enabled him to review unedited source materials in numerous archives and conduct extensive interviews with artists and curators. DTSTART;TZID=Europe/Berlin:20230603T103000 DTEND;TZID=Europe/Berlin:20230603T123000 SEQUENCE:1 SUMMARY:Brücke Museum: Expressionism Revisited TRANSP:OPAQUE END:VEVENT END:VCALENDAR