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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:38373931-6263-4134-a434-316564376330 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20250330T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20221030T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20231029T030000 RDATE:20241027T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20230326T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20240331T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_2300@www.bruecke-museum.de DTSTAMP:20260720T123853Z CLASS:PUBLIC DESCRIPTION:Dr. Natasha A. Kelly: Black Expressions: „Milli“\, Nelly und Sa m and Dr. Julia Friedrich: Bild und Gegenbild. Otto Mueller und Peter Nest ler im Museum Ludwig\, Köln\n\n \n\nDr. Natasha A. Kelly (scholar\, author \, independent curator\, and artist): Black Expressions: „Milli“\, Nelly u nd Sam\n\nFollowing the path of the Black models of the Brücke artists\, D r. Natasha A. Kelly explores episodes of Black German history from a Black feminist perspective. Through her artistic and scholarly reflection on th e social context of German Expressionism\, she provides an opportunity to actively observe colonialism and the enduring coloniality in Germany.\n\nD r. Natasha A. Kelly is a scholar\, author\, independent curator\, and arti st. She works at the intersection of science and art\, questioning Eurocen tric concepts of knowledge\, power\, and the body from a Black feminist pe rspective. Her art installations have been exhibited at venues such as the Deutsche Historische Museum (2017) and the Berlin Biennale (2018). Since 2019\, she has held guest professorships at various universities in German y and the United States. Currently\, she serves as the founding director o f the first Institute for Black Art\, Culture\, and Sciences in Düsseldorf .\n\n \n\nDr. Julia Friedrich (Jüdisches Museum Berlin): Bild und Gegenbil d. Otto Mueller und Peter Nestler im Museum Ludwig\, Köln\n\nHow can we ap proach Otto Mueller's Two Gypsy Girls with a Cat (1926/27) today? How to n avigate the anti-Roma tradition in which the painting is situated\, along with its contradictions? Is it even about Mueller's gaze or that of the au dience? With the installation Image and Counter-Image (2019/20\, Museum Lu dwig)\, I juxtaposed the painting for the with a film: Peter and Zsóka Nes tler's Being Gypsy (1970)\, a documentary about the persecution and murder of Sinti and Roma. A second gaze was added to the view of Mueller's paint ing\, one that complemented\, contradicted\, and revealed the historical t rajectory. Instead of limiting art to its socio-historical context\, the i nstallation sought the historical dimension within the art itself. The con flict of two gazes aimed to enable a third gaze: the audience's gaze upon itself\, upon the presuppositions it brings and attaches to art.\n\n \n\nD r. Julia Friedrich is the Collections and Exhibitions Director at the Jewi sh Museum Berlin. From 2004 to 2022\, she worked at the Museum Ludwig in C ologne\, where she curated numerous exhibitions of modern and contemporary art and managed the Haubrich Collection. In a variety of publications\, s he has engaged with artists and the social function of art. One of her res earch focuses has been art policy and collection practices in post-war Ger many. DTSTART;TZID=Europe/Berlin:20230602T090000 DTEND;TZID=Europe/Berlin:20230602T100000 SEQUENCE:1 SUMMARY:Brücke Museum: Expressionism Revisited TRANSP:OPAQUE END:VEVENT END:VCALENDAR