Warning: Undefined variable $config in /html/neu/controllers/events_ical.inc.php on line 56
BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:63636131-3530-4936-a461-353938386631 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20250330T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20221030T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20231029T030000 RDATE:20241027T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20230326T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20240331T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_2296@www.bruecke-museum.de DTSTAMP:20260315T014440Z CLASS:PUBLIC DESCRIPTION:6 pm\nWelcome (DE)\nLisa Marei Schmidt (Brücke-Museum)\nDr. Cat hrin Klingsöhr-Leroy (Franz Dieter und Michaela Kaldewei Kulturstiftung)\n \nWhat does the art of Expressionism tell us from a contemporary perspecti ve\, and what questions engage us in the future? These themes take center stage at the symposium Expressionism Revisited\, organized by the Brücke-M useum. Thanks to the generous support of the Franz Dieter and Michaela Kal dewei Cultural Foundation\, the museum invites attendees to lectures\, wor kshops\, and discussions\, fostering interdisciplinary perspectives and fa cilitating an exchange on unexplored facets\, innovative research methods\ , educational approaches\, and exhibition concepts in the realm of Express ionism.\n\nWith sound performance by Amuleto Manuela (sound artist): Murmu r (2023)\n\n \n\nLisa Marei Schmidt is an art historian\, curator\, and mu seum director. Since October 2017\, she has been leading the Brücke-Museum in Berlin-Dahlem. Schmidt studied in Marburg\, Amsterdam\, Berlin\, and L ondon. From 2009 to 2011\, she worked as a research trainee at the Kunstsa mmlung Nordrhein-Westfalen\, and from 2012 to 2017\, she was a curator at the Hamburger Bahnhof – Museum für Gegenwart in Berlin. Her exhibition Viv ian Suter. Bonzo’s Dream at the Brücke-Museum\, in which Schmidt invited t he artist Vivian Suter to collaborate with the museum’s collection\, was a warded Special Exhibition 2020 by the international association of art cri tics\, AICA.\n\nDr. Cathrin Klingsöhr-Leroy is the director of the Franz M arc Museum in Kochel am See and a board member of the Franz Dieter and Mic haela Kaldewei Kulturstiftung. She studied art history\, archaeology\, and German literature in Regensburg\, Bonn\, and Paris (Sorbonne IV). In 1987 \, she obtained her doctorate from the Rheinische Friedrich Wilhelms Unive rsity in Bonn with a dissertation on The French Artist Portrait of the Gra nd Siècle. From 1991 to 1993\, she worked as a research associate at the B ayerische Staatsgemäldesammlungen (Pinakothek der Moderne) and subsequentl y became a curator at the Fritz-Winter-Stiftung located there. Since 2008\ , she has been the artistic director and since 2010 also the managing dire ctor of the Franz Marc Museum.\n\nAmuleto Manuela (Manuela García Aldana) is a Colombian sound artist and DJ based in Berlin. She graduated from the Universidad de los Andes in Bogotá (Master of Arts) and also recently fro m the MA Raumstrategien at the Berlin Kunsthochschule Weißensee. In her pr ocess-based work (soundscapes\, Dj sets\, listening collective practices\, radio shows)\, listening is the principle and arises as a context-driven response to the search for spaces of encounter. She addresses diaspora and identity questions with the will to unlearn and remember alternative ways of inhabiting our collective life experience.\n\nMurmur (2023) is a sound performance by Amuleto Manuela. It encourages the experience of a living archive\, rewinding and listening back to counter-narratives. Sonic sculpt ures will be built up from the garden of the Brücke-Museum\, moving toward s the inside of the building. It poses the following questions: How can we listen to knowledge outside of the modern imperial narratives? And\, in t he process\, how can we make the canon of modern and classical art more po rous? How do we shift from the panoramic and universal perspective of mode rn art and move towards a practice of embracing a plurality of worlds list ening to each other? In the task of re-envisioning and questioning what we understand as modern and classical art\, listening and embodying through music\, rhythm\, and echo becomes a practice that opens gates to embark on this endeavor. DTSTART;TZID=Europe/Berlin:20230601T180000 DTEND;TZID=Europe/Berlin:20230601T183000 SEQUENCE:1 SUMMARY:Brücke Museum: Expressionism Revisited TRANSP:OPAQUE END:VEVENT END:VCALENDAR