Warning: Undefined variable $config in /html/neu/controllers/events_ical.inc.php on line 56
BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:36303262-3830-4061-a139-383366643334 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20231029T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20211031T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20221030T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20210328T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20220327T020000 RDATE:20230326T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_1839@www.bruecke-museum.de DTSTAMP:20260618T174625Z CLASS:PUBLIC DESCRIPTION:The artist Satch Hoyt presents the sound performance Sonic Obla tion Un-Muted\, as part of the Transition Exhibition.\n\nThe artistic work is dedicated to Gregory Ionman Tate. All instruments are played by Satch Hoyt\, composed and arranged by Satch Hoyt\, recording engineer and co-pro ducer is Dirk Leyers.\n\n\nIn his work Sonic Oblation Un-Muted \, visual a rtist and musician Satch Hoyt establishes a dialogue with the musical inst ruments in the collection. Hoyt awakes these instruments from their state of silence\, repositioning them into their role of sounding forms. His lon gstanding engagement to ‘un-mute’ colonial sound collections captured duri ng the European colonial period reminds us that\, “instruments\, like huma n beings\, have a spirit within them and are supposed to be played\, they are not created to lay dormant in display cases and crates”.\n\n \n\n'Born London 1957\; resides Berlin. Satch Hoyt is a spiritualist\, a believer i n ritual and retention. A visual artist and a musician\, his diverse and m ultifaceted body of work- whether sculpture\, sound installation\, paintin g\, musical performance\, or musical recording - is united in its investig ation of the “Eternal Afro-Sonic Signifier” and its movement across and am id the cultures\, peoples\, places\, and times of the African Diaspora. Th ose four evocative words (a term coined by Hoyt) refer to the “mnemonic ne twork of sound” that was enslaved Africans’ “sole companion during the for ced migration of the Middle Passage.”1 lt was\, and is\, a hard-won somati c tool kit for remembering where you come from and who you are - and maybe \, where you’re going - against all the many odds. Of Jamaican-British des cent\, Hoyt was born in London and currently lives in Berlin. Having also spent time in New York\, Paris\, Mombasa\, and Australia’s Northern Territ ory - all points on the many-sided and ever-expanding star that is the Afr ican Diaspora - he is an intimate observer of the sites of convergence whe re the Diaspora comes together to sing\, shout\, and be\, reflecting itsel f to itself. Employing the shared tool kit to connect\, express\, and comm iserate across centuries and oceans\, Hoyt taps into aural and oral echoes as well as into those retained in the historical and material record.'\n \nwritten by Rujeko Hockley for the catalog Prospect 4: The Lotus in Spite of the Swamp\, 2017 DTSTART;TZID=Europe/Berlin:20220219T163000 DTEND;TZID=Europe/Berlin:20220219T180000 SEQUENCE:1 SUMMARY:Brücke Museum: Sound Performance TRANSP:OPAQUE END:VEVENT END:VCALENDAR