Warning: Undefined variable $config in /html/neu/controllers/events_ical.inc.php on line 56
BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:38636263-3462-4339-b536-643838376366 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20231029T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20211031T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20221030T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20210328T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20220327T020000 RDATE:20230326T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_1753@www.bruecke-museum.de DTSTAMP:20260714T040649Z CLASS:PUBLIC DESCRIPTION:Moments of Unrest: Talk in the Transition Exhibition at Kunstha us Dahlem [DE].\n\nIn the debate about contaminated colonial heritage\, it has become increasingly clear that collections from colonial contexts can be found not only in ethnological museums\, but also in artists' estates. Karl Schmidt-Rottluff also amassed a collection of approximately 100 ritu al and everyday 'subject/objects' (Felwine Sarr). He collected them accord ing to personal standards\, because of their formal beauty and supposed or iginality\, and partly integrated them into his paintings. After Karl Schm idt-Rottluff's death\, they were categorized according to scientific stand ards and set aside in the depot. The collection bears witness not only to the expansion of Eurocentric horizons\, but also to the history of colonia l appropriation and the arbitrary overwriting of former meanings. How can a new way of dealing with these things be found in dialogue with the so-ca lled societies of origin? To what extent can participatory digital formats subvert colonial linguistic conventions and hierarchizations? How can the 'subject/objects' but also the institutions themselves be put into 'disqu iet'? How can the transformative moment of disquiet be made productive: fo r public critique\, but also for new forms of cooperation\, dialogical res earch and exhibition formats\, and finally for restitutions?\n\nA conversa tion with Agustina Andreoletti (Digitales Outreach\, Rautenstrauch-Joest M useum\, Cologne)\, Julia Binter (Postcolonial Provenance Research\, Zentra larchiv Staatliche Museen zu Berlin)\, Anna Brus (Digitisation project Brü cke-Museum &\; Research associate\, Universität zu Köln)\, Michi Knecht (Ethnologist\, Contradiction Studies\, Universität Bremen)\, Ohiniko Mawu ssé Toffa (Mission and colonial historian\, Staatliche Kunstsammlungen Dre sden) and Nanette Snoep (Director Rautenstrauch-Joest Museum Cologne)\n\nH ere you can register for the event.\n\n[figure Livestream-ActivationII-Mom ente_der_Beunruhigung] DTSTART;TZID=Europe/Berlin:20220219T133000 DTEND;TZID=Europe/Berlin:20220219T143000 SEQUENCE:1 SUMMARY:Brücke Museum: Talk TRANSP:OPAQUE END:VEVENT END:VCALENDAR