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BEGIN:VCALENDAR VERSION:2.0 PRODID:-//ical@brueckemuseum.de//NONSGML kigkonsult.se iCalcreator 2.41.92// CALSCALE:GREGORIAN METHOD:PUBLISH UID:33303262-6334-4336-a237-363964336665 X-WR-CALNAME:Brücke Museum X-WR-CALDESC: X-WR-RELCALID:c186e831-6ed4-4b8a-bd5f-531422c82034 X-WR-TIMEZONE:Europe/Berlin BEGIN:VTIMEZONE TZID:Europe/Berlin TZUNTIL:20231029T010000Z BEGIN:STANDARD TZNAME:CET DTSTART:20211031T030000 TZOFFSETFROM:+0200 TZOFFSETTO:+0100 RDATE:20221030T030000 END:STANDARD BEGIN:DAYLIGHT TZNAME:CEST DTSTART:20210328T020000 TZOFFSETFROM:+0100 TZOFFSETTO:+0200 RDATE:20220327T020000 RDATE:20230326T020000 END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:event_1397@www.bruecke-museum.de DTSTAMP:20260711T150048Z CLASS:PUBLIC DESCRIPTION:Talk with Tamina Amadyar (artist) and Florian Illies (art histo rian\, author)\n\nHow does one deal artistically with the overload that is called Berlin? When Ernst Ludwig Kirchner came to Berlin in 1912\, he thr ew himself into the breathless hustle and bustle of an exploding cosmopoli tan city and created pictures of the Potsdamer Platz of a shimmering\, sea rching\, lost metropolis. What did Tamina Amadyar\, who was born in Kabul and came to Berlin via Düsseldorf and California\, find in this city one h undred years later? Where Kirchner sought the hectic bustle of activity\, Amadyar finds the corners and deserted streets\, reinforced by a lockdown\ , like a deserted backdrop\, at peace\, traffic-calmed but in the turmoil of colour. In conversation with Tamina Amadyar\, Florian Illies searches f or answers to an unpaintable city amidst her paintings and those of Ernst Ludwig Kirchner in the Brücke-Museum. DTSTART;TZID=Europe/Berlin:20211122T180000 DTEND;TZID=Europe/Berlin:20211122T235900 SEQUENCE:1 SUMMARY:Brücke Museum: BOOKED OUT: Painting Berlin. TRANSP:OPAQUE END:VEVENT END:VCALENDAR