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METHOD:PUBLISH
UID:38363364-3261-4265-a137-616661313437
X-WR-CALNAME:Brücke Museum
X-WR-CALDESC:
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X-WR-TIMEZONE:Europe/Berlin
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TZID:Europe/Berlin
TZUNTIL:20270328T010000Z
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TZNAME:CET
DTSTART:20241027T030000
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
RDATE:20251026T030000
RDATE:20261025T030000
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DTSTART:20250330T020000
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RDATE:20260329T020000
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BEGIN:VEVENT
UID:event_4148@www.bruecke-museum.de
DTSTAMP:20260616T125811Z
CLASS:PUBLIC
DESCRIPTION:A Self Portraiture Workshop for PAD-Community*\n\nWith Monilola
  Olayemi Ilupeju (Visual artist) and Anna Yeboah (Architect and Curator\, 
 and part of the Nicht Einfach-Team)\n\nTaking its title from Audre Lorde’s
  seminal 1982 speech “Learning from the Sixties”\, this workshop by Nigeri
 an-American artist Monilola Olayemi Ilupeju and Anna Yeboah explores the e
 xpansive potential of self-portraiture as a practice of self-knowledge\, h
 ealing\, and cultural critique for Black people and people of African desc
 ent. Through the use of reference images\, writing\, and drawing\, partici
 pants will experiment with portraiture as a way to deconstruct and reimagi
 ne broader paradigms of identity.\n\nEach participant is asked to bring on
 e image they consider to be a self-portrait\, however literal or symbolic.
  Using this image as a starting point\, participants will receive a series
  of prompts and instructions to guide their drawings\, which they may foll
 ow\, resist\, or reimagine altogether. The workshop will conclude with a c
 ollective sharing and discussion of the works created.\n\nThis workshop is
  exclusively intended for Black people and people of African descent. We k
 indly ask that this collective self-identification and the spaces connecte
 d to it be respected. The workshop will be predominantly held in English\,
  with the option of translation into German. No prior knowledge or skills 
 are required.\n\nMonilola Olayemi Ilupeju  (she/her) is a Nigerian-America
 n artist and writer based in Berlin. Working across painting\, writing\, p
 erformance and installation\, she balances intimate experiences of connect
 ion\, violence\, and healing against broader considerations of cultural di
 stortion and identity. She graduated with distinction from New York Univer
 sity\, where she studied studio art and social and cultural analysis. She 
 is also an alumna of the Skowhegan School of Painting and Sculpture. She i
 s currently a participant in the BPA// Berlin Program for Artists.\n\nInst
 agram:  @monilola\n\nAnna Yeboah  (she/her) is an architect and curator. I
 n her exhibitions\, lectures and interdisciplinary projects\, she deals wi
 th power systems in built space\, memory culture and the decolonisation of
  architectural and cultural praxis. From 2020 to 2024\, she coordinated th
 e pilot project Dekoloniale Erinnerungskultur in der Stadt - Decolonial Cu
 lture of Remembrance in the City for the Initiative of Black People in Ger
 many e.V.\, which deals with the critical processing\, mediation and remem
 brance of colonialism originating in Berlin. As part of the Nicht Einfach 
 (Not Easy) specialists team\, Anna Yeboah conceived the content of this ev
 ent together with the artist.\n\nInstagram: @annakoma\n\nThis event is spa
 rt of the pluralistic Discourse Programme Not Easy: It invites dialogue on
  plural perspectives within contemporary German memory discourse and socia
 l coexistence. Starting from the life and work of the artist Irma Stern (1
 894–1966)\, it explores the complex entanglements of antisemitism\, coloni
 alism and racism. The programme encourages participants to expand their pe
 rspective on Stern’s ambivalent experiences between persecution and exile 
 as a Jewish German woman\, as well as her privileges as a white South Afri
 can.\n\nDeveloped by Ahmad Dakhnous\, Tahir Della\, Anna Yeboah and Yehudi
 t Yinhar\, accompanied by Pegah Byroum-Wand and Daniela Bystron.\n\n* Peop
 le of African Descent is an internationally used term that encompasses all
  people who have their roots in Africa\, regardless of where they live tod
 ay. The term originated in the context of the UN and international human r
 ights debates to highlight and specifically address the diversity\, histor
 y and experiences of discrimination faced by people of African descent.
DTSTART;TZID=Europe/Berlin:20250920T120000
DTEND;TZID=Europe/Berlin:20250920T160000
SEQUENCE:1
SUMMARY:Brücke Museum: “If I Didn’t Define Myself For Myself\, I Would Be C
 runched Into Other People’s Fantasies For Me And Eaten Alive.”
TRANSP:OPAQUE
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